So last time I introduced you to Alison and Karin, the
core team of Re-Live. Although they are obviously very talented and completely
passionate about the work, they wouldn’t be able to do it alone. So here are
some quick introductions to the rest of the team working on Memoria.
Julie Towson is our wonderful stage manager. Having
trained at Royal Welsh College of Music and Drama Julie has worked in theatre
and events for over 15 years. She has worked for all kinds of organisations
including the Tobacco Factory in Bristol. She even spent some time living and
working in New Zealand. Her big passion is animal rights and she always walks
her two dogs at the crack of dawn before coming into rehearsals.
Our incredible set is being designed by Garry Bartlett.
He also designed Re-Live’s last show ‘age’, including the beautiful poster. As
if that wasn’t enough Garry is also a technical wiz and constructed the Re-Live
website. What would we do without him?
To compliment Garry’s inspired set Dan Young will be
designing the lighting. Dan has worked on previous Re-Live productions
collaborating with Garry. Having worked at Chapter since 1997 Dan, in his own
words, ‘can be found haunting the
darkened backstage areas of the theatre’.
The Company having fun in rehearsal |
Next up is the multitalented James Clark. If you’ve seen
any other Re-Live productions James’s face will certainly be familiar.
Currently James is studying music at Royal welsh (everyone seems to train
there!) and plays the piano and accordion. He is composing original musical
accompaniment for Memoria and is in every rehearsal providing atmospheric
music.
I haven’t said too much about the online aspect of this
production so far, I’ll lift the lid next week. But working hard on getting us
ready for our online broadcasts is our mega talented Digital Producer, Alex
Russell. Alex has recently worked on good cop bad cop’s “Lleisiau/Voices”. This
unusual event also took place at Chapter and was shown online for all to see.
Last but not least is me – Chelsey. I’m doing the
marketing for Memoria, contacting organisations who we think may be interested
in the work, posting on Facebook and Twitter and obviously writing this blog.
I’ve been a huge fan of Re-Live since I saw their production of Abandoned
Brothers and I haven’t missed a show since. It’s a great privilege for me to be
part of the team for such an inspiring production.
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